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Martial Arts Topics / Re: Escrima styles
« on: February 12, 2012, 03:16:43 AM »
I have been cross training with some Pekiti oriented folks, though they are not exclusively Pekiti. Which kind of lends itself to the question about "purists" and faith to an art. Which may, in itself, be a silly concern when one considers the non rigid formation of some of the arts and the tendency of some of the masters to accentuate their own flavor than to adhere to a strict set. My balintawak looks quite a bit different from my close friend's, but you can still see we are playing a similar concept. What distresses me is to see another corto ranged stylists abandon vertical structures, or their live hand under stress and revert to something that relies on athleticism or other physical attributes than stylized technique. I really enjoyed a DBMA video of Mr. Pallen sparring, and LOVED how he took a minute to get settled but eventually demonstrated a really nice defensive structure indicative of Cebuano stylists. I really appreciated his willingness to "test" things out too, and liked seeing him adapt his existing skill sets to a new stress.
Ultimately, the outcome of an encounter is most important, though the methods used can be pretty damn important too! I definitely like the Pekiti flow, and their work at largo range forces me to be committed to entering into corto, where I feel pretty comfortable. But man, on the outside I demonstrate NOTHING similar to my corto base and rely on attributes rather than technique. I don't however feel that I'm cheating the art... I just don't have as much to use out there. But if I DO adopt a skill set on the outside, from Pekiti, for example, am I being untrue to either? If that makes sense... And does faith to an art even matter? But if you aren't committed to the skill set trained in an art, then what the hell is the sense in spending hours doing it for? If an art encourages practicing a particular drill, but that drill NEVER has application under stress, does it have any real value? I have seen very skilled corto stylists, whose close range drills are beautifully honed, demonstrate NONE of it under stress, and wonder, why didn't they just practice something else that would encourage an athletic skill set if that's what they will use in a fight? All of the training meant nothing in an encounter!
Thanks for the input! I really appreciate the learned advice and comments from others on this forum!
Respectfully!
Ultimately, the outcome of an encounter is most important, though the methods used can be pretty damn important too! I definitely like the Pekiti flow, and their work at largo range forces me to be committed to entering into corto, where I feel pretty comfortable. But man, on the outside I demonstrate NOTHING similar to my corto base and rely on attributes rather than technique. I don't however feel that I'm cheating the art... I just don't have as much to use out there. But if I DO adopt a skill set on the outside, from Pekiti, for example, am I being untrue to either? If that makes sense... And does faith to an art even matter? But if you aren't committed to the skill set trained in an art, then what the hell is the sense in spending hours doing it for? If an art encourages practicing a particular drill, but that drill NEVER has application under stress, does it have any real value? I have seen very skilled corto stylists, whose close range drills are beautifully honed, demonstrate NONE of it under stress, and wonder, why didn't they just practice something else that would encourage an athletic skill set if that's what they will use in a fight? All of the training meant nothing in an encounter!
Thanks for the input! I really appreciate the learned advice and comments from others on this forum!
Respectfully!