Kali For The Cage – Black Belt Magazine Cover Story

written by Guro Marc “Crafty Dog” Denny

Kali Tudo

ONE

Those motivated principally by young male ritual fighting will always be a large percentage of the martial arts world. A very large percentage of them will cease to train as they achieve whatever competitive level that they will and face the prospect of decline.

In contrast, Dog Brothers Martial Arts (DBMA) has as its mission “To Walk as a Warrior for All Your Days”. In our vision, The Path of the Warrior is a path Of Life, and it is For Life. As such, it must embrace all facets of Aggression — not only young male ritual hierarchical fighting.

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Birmingham Seminar

written by Krishna Godhania

Saturday 29th and Sunday 30th May. Venue – Newman College, Birmingham, England.

Guro Marc Denny (aka Crafty Dog), the driving force behind the Dog Brothers Martial Arts Association, held a unique two day seminar on his concept of the 7 ranges of stickfighting. Hosted and organized by Pangulong Guro Krishna Godhania, the seminar gave a rare opportunity to train with a modern master of the Filipino Martial Arts. This chance was taken up by world champions and beginners alike and proved an education to all who attended.

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The Laboratory For Stickfighters

written by Burton Richardson

The Dog Brothers have taken theoretical stickfighting and thrown it right into the laboratory using themselves as the guinea pigs.
Science is a fine discipline. The quest for truth guides the scientist to look for new ideas that can tackle old problems. Years of schooling in the basics give the researcher the necessary knowledge to delve deep into his subject and produce new theories. Many martial artists take this same approach toward their respective arts. We train in the basics and eventually reach a level where new combinations, attacks, or defenses are discovered. In the realm of stickfighting, this has been happening for hundreds of years.

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What An Experience

written by Burton Richardson
Martial art is a strange endeavor in our modern society. We strive to better ourselves and understand the art better, but we have one restriction that no other artists have to endure: we are forbidden to truly express the art to its fullest extent.

The arts that we practice are about subduing a violent opponent through various methods under the most stressful conditions when our very life is at risk. Now this is a situation that we are supposed to encounter in the first place. Urban problems do make it more likely that we will find trouble, but most people will go through a lifetime without facing death at the hands of another.

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