2 thoughts on “Kali Tudo 4 – The Prison Waltz”

  1. One of the deep themes in DBMA is having both leads as well as operating in opposite hand & foot as well as same hand & foot and fluidly transitioning between them.

    One of the things that this enables for us to recognize and take advantage of the various portals between these modalities.

    Joe Generic tends to operate in same hand & foot, whereas our various nitrous blitzes tend towards opposite hand & foot– at least until full pressure is established.

    The Prison Waltz gives helps give us the ability to maintain KT striking modality against an opponent whom we have put on his heels.

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